Better Sex Tips

THE FRENCH “SOUL” KISS

But don’t stop at this.
Surely, there is more to your tongue than merely its tip. Probe further. Go deeper. Gently
caress ,each other’s tongues. For, in doing this, you are merging your souls. That is why
this kiss was called the “soul” kiss by the French who were said to be the first people to
have perfected it.. The French have always been a liberal minded people. And, it is
because of the fact that they dropped Puritanism many years ago, that they were able to.
perfect themselves in the art of love and, particularly, in the art of kissing.
Learn from the French.
Learn also from the Old Romans , especially Catullus, whose love poems to Lesbia have
lived through the ages because of the sincerity of his passion and the genius of his ability
to express his emotions in the form of beautiful poetry. For it was Catullus who wrote:
“Then to those kisses add a hundred more,
A thousand to that hundred so, kiss on!
To make that thousand up to a million;
Treble this million, and when that is done,
Let’s kiss afresh, as when we first begun.”

Kisses cost nothing. So kiss on. There is one thing that you cannot. take away from
people and that is the ability to make love to each other. Despite the fact that the world
suffered from a long depression, people continued to get married and they continued to
have children. In fact, according to recently released figures, there were, more children
born during the depression than there had been in good times. This means that, although
married people did not have money, they still had themselves. They still had love. They
still had the ability to kiss as they pleased and when they pleased and as often as they
pleased.
Another poet asks:
What is a kiss? alack, at worst,
A-single drop to quench a thirst,
Tho oft it proves in happier hour,
The first sweet drop of one long shower.
Because kisses cost nothing.
So kiss on. Keep on kissing. Rare old Ben Jonson realized this when he wrote that, if he
had one wish, it would be that he could die kissing. But it is not only the robust and lusty
poets, like Ben Jonson, who are gluttons for kisses. There has been attributed to John
Ruskin, an old fogy of a philosopher if ever there was one, a request from him to a young
lady friend of his that she “kiss him not sometimes but continually.” Still another poet
wrote:
Kisses told by hundreds o’er;
Thousands told by thousands more.
Millions, countless millions then
Told by millions o’er again;
Countless as the drops that glide
In the ocean’s billowy tide,
Countless as yon orbs of light
Spangled o’er the vault of night
I’ll with ceaseless love bestow
On those cheeks of crimson glow,
On those lips so gently swelling,
On those eyes such fond tales telling.
PUT VARIETY INTO YOUR KISSES
It is with the last few lines of this poem that our next subject for discussion concerns
itself. As was mentioned before, the true lover is not satisfied with only one or two
contacts. He wants n6thing to be held from him. It is for that reason that, when kissing a
girl, after. you have given sufficient time to the kissing of her lips, you should vary your
kissing by diverting your zeal to other portions of her face. Robert Herrick, who wrote,

many beautiful love lyrics in his day, has a poem which ideally synthesizes this idea of
varied kisses. In it he says:
It isn’t creature born and bred
Between the lips all cherry-red;
It is an active flame that flies
First to the babies of the eyes;
Then to the cheek, the chin and ear;
It frisks and flies-now here, now there-
‘Tis now far off, and then ’tis near;
Here and there and everywhere.
Let us say that you have revelled in a sweet, long kiss. Suddenly, you see your loved
one’s eyes close as though in a moment of weariness. Gently detach your lips from her’s
and raise them up to her closed eyelids. Drop a kisslet first on one eyelid and then on the
other. Feel the rolling orb quiver under your lips. Then , when you have done this, run
your lips down along the line of her nose, stopping at odd times to purse them into a tiny
kiss. When you reach the wrinkle of her nostrils, bury your lips deeply into the curve and
kiss little niblets into first one and then the other. If her eyes still are closed, repeat the
process.
But return to the lips.
Never forget this important injunction, “Return to the lips,” for they can never become
satiated with love’s ardent kisses. The little kisses that you have deposited on her eyes
and her nose serve only to vary the Menu of love. They are but spice to the course of
love’s banquet which should always be the “lip kiss.”

THE VACUUM KISS

The Vacuum Kiss
This time, when your eager lips have been deposited on the eager lips of the girl, try to
vary the kiss. For instance’ instead of using the soul kiss, try what is known as the “vac
uum kiss.” Here you start off by first opening your mouth a. trifle just after you have been
resting peacefully with closed lips. Indicate to your partner, by brushing her teeth with
the tip of your tongue, that you wish for her to do likewise. The moment she responds,
instead of caressing her mouth, suck inward as though you were trying to draw out the
innards of an orange. If she knows of this kiss variations your maid will act in the same
way and withdraw the air from your mouth. In this fashion, in a very short while, the, air
will have been entirely drawn out of your mouths. Your lips will adhere so tightly that
there will almost be pain, instead of pleasure. But it will be the sort of pain that is highly
pleasurable. That may sound odd but, nevertheless, it is a fact. Pain becomes so
excruciating as to become pleasure. This subject will be gone into very shortly in regard
to what is known as the “bite kiss.” But, at present let I us continue with the “vacuum
kiss.”

This kiss must, of necessity, last a comparatively short time. There is tog rill4ch strain on
the delicate mouth tissues and the muscles tire very easily. It is .for that reason that this
kiss should be shortened. However, there is a special technique to be used to terminating
it. When you decide that you have had enough of it, don’t suddenly tear your mouth
away. At least, don’t do it if there are other people present in the house. For, they will
become startled by the sound of a loud report which will result if you act suddenly. Any
vacuum when suddenly opened to air gives off a loud popping noise. The procedure is
simply to open first a comer of your mouth. You will hear a faint hissing sound when this
is done. Immediately, you will find the pressure in your mouth lessen. The muscles will
relax. And a delicious sense of torpor will creep over your entire body, giving it a
lassitude that is almost beatific.
But that is not all.
To every large dinner, there is always added a dessert or a lagniappe which is a toppingoff
tid-bit of the evening. The same should apply to the “vacuum kiss.” The minute you
release Your lips, lift them’ away from the tired lips of your lover. Then, without wasting
a minute’s time, gently, delicately, softly, sensitively, oh so lightly, lower your pursed lips
and place a tiny little kiss into the almost bruised lips of the girl. It is this little act of
sympathy and condolence that makes the tie between you all the more firm. It tells the
girl that you know how she feels and that you sympathize with her.
While resting from the joy-laden ardors of such a kiss, a few more variations are
permissible and advisable. There should never be a let-down in a kissing session. Every
moment must be filled with kisses. But they do not have to be kisses of the mouth. There
are other kisses which, although they are not as satisfying as the lip kisses, still serve to
keep the blood burning.

THE “SPIRITUAL” KISS

For instance, there can be kisses exchanged merely in intense glances. A sort of “spiritual
kiss.” can pass between the adoring eyes of a pair of lovers. The hot blooded Latin races
know the power of such kisses. Their fiery temperaments are ever questing for new
delights, for variations, for delightful and artful ways of adding to the pleasure of love.
There is a poem extant written by a young Spanish poet to his sloe-eyed, raven-tressed
senorita. No doubt it was sung by him under her balcony while the romantic moon
streamed down liquid beams. But the poem quite amply describes this point of kissing
with things other than your lips.
Then she kisses with her eyelids,
Kisses with her arching eye-brows,
With her soft cheek softly rubbing,
With her chin and hands and fingers,
All the frame of Manuela,
All her blood and all her spirit,
All melt down to burning kisses.

There, Perhaps fifteen feet away from him, was the light of her love. Yet, by means of
her eyes, she was able to kiss him so that their love continued to flower.